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Future Future in Futurism and Dada exhibition

	Primo Conti: Baci Italian, 1919 collage on cardboard, 24.5 x 18 cm, 3. Fondazione Primo Conti, Fiesole

Futurism and Dadaism compared to Mantua. In an exhibition, a hundred years after publication of the famous Manifesto future exposure and 76 from the historic Palazzo Ducale, investigates the two movements, highlighting similarities and differences.

latter especially, since embarked on Futurism and Dada, ideologically different paths since Dada even more drastically was incompatible with the society and traditions, want to make a clean sweep of all the rules, which until then had codified the creation Art.
But even if it came to a rupture between the Futurists and Dadaists, there were many common elements and opportunities for exchange: the spirit of irreverent, provocative and irreverent evenings, the desire to "typographic revolution", the massive use of media Communication and magazines, a blend of the traditionally separate genres.
Mantua, compared to the history of the two movements, it has a role in some particular way, unique. The city was, in fact, the site of an intellectual discussion led to "the press": first the magazines published by Somenzi (which was also the principal promoter of the great Futurist exhibition held in Palazzo Ducale in 1933), which will become the actual organ of the movement Marinetti, and, secondly, those published by Fiozzi Cantarelli and "Petrel" (1917-1920) and the only Italian magazine Dada, "Bleu" (1920-1921), made collaboration with Julius Evola. continues